Painter Daniel Mirante explains some of the meanings and symbolism in his latest artwork ‘Chanting Down Babylon’ in a video journey through the artwork.
The groundbreaking shamanic documentary Aya: Awakenings is now available for viewing on Vimeo on Demand: https://vimeo.com/ondemand/ayaawakenings . Featuring the artwork of Pablo Amaringo, Andy Debernardi and more; written by Rak Razam and directed by Tim Parish, video editing by Verb Studios, soundscapes by Lulu Madill and music by Shpongle, Tipper, Darpan, Lulacruza, Maneesh de [...]
This artwork GAIAN ENTELECHY is a tribute to this emerging visionary culture. It is a representation of the Earth spirit, of a noble consciousness that exists within the natural world. The Earth is alive. And we are a part of it.
Visionary art seeks to return us, in our visions, to the primordial world that preceded history: like hieroglyphs etched on the walls of a long-lost civilization, leading us to a paradise of lost imagery or forgotten dream-symbols.
Cease Wyss, our “Indigenous Plant Diva”, is a hip, urban Aboriginal single mother, video artist and community leader. She shares her traditional knowledge of plants that can be found throughout the streets and everyday spaces of Vancouver, reminding us that the medicines are all around us in our urbanized environments.
The soft-cover printed copy of Brotherhood of the Screaming Abyss, by Dennis McKenna, is now finally — finally! — available on Amazon.
This is not a book review but a personal visionquest in the woods accompanied by The Book of Baphomet
The newly evolved deity Baphomet is the all encompassing energy of Life we all meet in our enthogenic journeys. SHe is the Great Spirit, the Anima Mundi we all need to feel more connected to. The Deity Baphomet has got his deep ecological voice with the help of 5-MEO-DMT and I believe this book might inspire the journier with new ways of working with this energy while having fun. A great read!!!
In visions and visionary art we often witness a sensibility that is not really a conventional beauty. It may be elegant, enchanting, intricate, but it challenges rather than succours us, it does not key into sentimentalised or strictly culture bound notions of beauty, but touches upon the ‘full cycle’.
This is an edited transcript of a series of conversations between Howard G. Charing, author of The Ayahuasca Visions of Pablo Amaringo, and Steve Beyer, author of Singing to the Plants: A Guide to Mestizo Shamanism in the Upper Amazon. These talks took place during the summer of 2010, at the kitchen table and on [...]
This beautiful guilded painting “Mother Earth”, by David Hewsen, is 4 X 8 feet and was installed, on the 9th of January, in the entrance of a heart center for a hospital in the United States.
Steve Beyer talks about ayahuasca and transformative experiences, in a clip from the film project From Neurons to Nirvana: Psychedelic Science in the 21st Century, produced and directed by Vancouver-based filmmaker, writer, and media artist Oliver Hockenhull.
The common motif across her vast body of work is the inter-relationship of humanity with the plant realm. The human form is frequently depicted as interpenetrated by root and shoot, vine and leaf. These icon paintings of the deep ecological plant realm are in my view the productions of something like a contemporary ‘vegetalista‘, a plant-shaman.
The late Pablo Amaringo trained as a curandero in the Amazon, healing himself and others from the age of ten, but gave this up in 1977 to become a full-time painter and art teacher at his Usko-Ayar school. Pablo left us this November 2009, and this interview is posted in homage to this great Artist and great Man.
In the Upper Amazon, mestizos are the Spanish-speaking descendants of Hispanic colonizers and the indigenous peoples of the jungle. Some mestizos have migrated to Amazon towns and cities, such as Iquitos and Pucallpa; most remain in small villages, their houses perched on stilts on the shores of the rivers that are their primary means of travel. Here in the jungle, they have retained features of the Hispanic tradition, including a folk Catholicism and traditional Hispanic medicine. And they have incorporated much of the religious tradition of the Amazon, especially its healing, sorcery, shamanism, and the use of potent plant hallucinogens, including ayahuasca. In my new book, Singing to the Plants: A Guide to Mestizo Shamanism in the Upper Amazon, I try to set forth, in accessible form, just what this tradition is about.
Howard G. Charing
Underlying the intricate geometric patterns of great complexity displayed in the art of the Shipibo people is a concept of an all pervading magical reality which can challenge the Western linguistic heritage and rational mind. These patterns are more than an expression of the one-ness of creation, the inter-changeability of light and sound, the union or fusion of perceived opposites, it is an ongoing dialogue or communion with the spiritual world and powers of the Rainforest. The visionary art of the Shipibo brings this paradigm into a physical form. The Ethnologist Angelika Gebhart-Sayer, calls this “visual music”.
A number of artists have attempted to render the striking visual experiences that occur after ingesting ayahuasca or DMT. In the Upper Amazon, there are both indigenous artists, whose traditional work consists largely of abstract patterns, such as those found on the now well-known pottery, clothing, and other household goods of the Shipibo; and visionary artists, mostly mestizo, whose work is characterized by detailed representations of spirits, trees, animals, objects, and participants in ayahuasca healing ceremonies. These latter works fall almost paradigmatically within what has now come to be called outsider art, sometimes naïve art, and sometimes visionary art — direct, intense, content-laden, narrative, enormously detailed, personal, idiosyncratic, two-dimensional, and brightly colored.
Apparently, ayahuasca can push the human mind to heights of creativity that by far exceed those encountered ordinarily. I myself have realized this in conjunction with a vision in which I was guided through an exhibition displaying the works of an entire culture.
Proposing a new art term to describe deep ecological and entheogenically inspired nature visions…