How could such a complex synergistic potion be discovered amongst over 80,000 catalogued plant species of the Amazon forest? Studying Ayahuasca, modern minds have puzzled the origins of the discovery of the Great Medicine, since it is commonly said that being a synergistic potion, there is no effect when only one of the plants are consumed.
A number of artists have attempted to render the striking visual experiences that occur after ingesting ayahuasca or DMT. In the Upper Amazon, there are both indigenous artists, whose traditional work consists largely of abstract patterns, such as those found on the now well-known pottery, clothing, and other household goods of the Shipibo; and visionary artists, mostly mestizo, whose work is characterized by detailed representations of spirits, trees, animals, objects, and participants in ayahuasca healing ceremonies. These latter works fall almost paradigmatically within what has now come to be called outsider art, sometimes naïve art, and sometimes visionary art — direct, intense, content-laden, narrative, enormously detailed, personal, idiosyncratic, two-dimensional, and brightly colored.
An update on the interactions between the União do Vegetal and US Supreme Court by Matthew Meyer.
The Peruvian National Institute of Culture resolved that indigenous ayahuasca rituals — “one of the fundamental pillars of the identity of Amazonian peoples” — are part of the national cultural heritage of Peru, and are to be protected, in order to ensure their cultural continuity.
The book Drugs and Culture: New Perspectives, the result of a symposium organized by the Interdisciplinary Group for Psychoactive Studies (NEIP, www.neip.info) and that took place at the Universidade de São Paulo in 2005, represents an important push by researchers in the areas of anthropology, sociology, political sciences, law, and history to approach the topic of “drugs” from multiple angles and who have as their common ground the staunch criticism of the prohibition of these substances.
In the book ‘Left In the Dark’, a culmination of over fifteen years of independent research into human evolution, the authors postulate that the universal myth of a pre-historic Golden Age is a racial memory that reflects our primate evolution in an arboreal, rainforest environment in which humans possessed mental and psychic abilities that have since become lost or atrophied in the profane ages that followed.
Taking this opportunity to think about the more-than-human world from a more-than-human perspective : if you are open to a little ego dissolution this will lead you through a shamanistic visualization sequence. The intention is to prime our creative imaginations, and explore a path of evolutionary remembering, mourning, honoring the extinct and taking responsibility as steward-healers of the biosphere.
Voyaging to DMT Space with Dr. Rick Strassman, M.D, interviewed by Martin W. Ball …